- #Extreme landings pro episode 1 challenge 6 hit the point how to
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The ending is a corker, landing as both a swerve to build off of and also its own sort of exhibitive exclamation point. "Kayfabe" is a nice jumping off point for this new series, though it also works on its own as a mini-movie, telling the one story. It's a tremendous merging of the worlds, wrestling, and family (none of this works without the family dynamic, really), and it might have been the only good way to expose, dramatically, the craft of the sport. slow-burn storytelling that requires patience - from two different performers representing varying degrees of bitterness and resentment. Does he win or does he give the fans what they want (for the hero to win, though tradition states you lose on your way out the door)? Also, does he reward someone like Ace, who can't even act nice in public to keep up his faux hero persona? Ace argues that wrestling should be fun while Jack fires back with "but not at the expense of being good." Two different views of wrestling - wish-fulfillment vs.
#Extreme landings pro episode 1 challenge 6 hit the point how to
This is where family and art clash, as Jack must figure out how to book this match. Meanwhile, Ace is being scouted by an "up north" (this show's acknowledgement of WWE) recruiter Wild Bill (True Blood's Chris Bauer) and wants to win DWL's top prize before he takes off for greener pastures. Ace, despite his real-life disposition (which leans toward cocky and mean) is the hero set to dethrone Jack for the top championship.
Both currently wrestle for DWL while Jack operates as its owner, sole booker (writer/plotter) and top villain ("heel"). Sons of a wrestling legend, Tom Spade, Jack inherited his father's small-potatoes Duffy, Georgia wrestling promotion while younger brother Ace, a high school football hero and loose cannon, got left in the lurch. People who know little to nothing about it think it's the complete opposite of what it is.Īmell and Vikings' Alexander Ludwig play brothers Jack and Ace Spade, respectively.
#Extreme landings pro episode 1 challenge 6 hit the point full
Even just taking someone to a show doesn't give them the full breadth of this magical, complex box of mayhem and athleticism. It's hard to describe, in words, to the non-initiated. Wrestling, unlike the other aforementioned mediums, is a strange beast to capture. Even TV sketch comedy has gone the route of both 30 Rock and Studio 60 on the Sunset Strip.įortunately, since it didn't work out well for Studio 60, Amell's project benefits from heavy-handedness. We've seen many shows and movies about people making TV shows or putting on plays or writing music that are about the actual artistic process of a totally different creative expression. Look, it's always a challenge to make a show or film about a wholly different storytelling mechanism. That's not to say it's perfect, or that Heels' premiere episode, "Kayfabe," isn't without its bumps, but it's able to operate both as a fascinating facsimile for wrestling fans and also a keen insider-y look behind the business, beyond the curtain, for viewers who may not know how things in this particular industry work.
Amell, who's actually wrestled two huge, high-profile matches (one for WWE and the other for a pre-AEW gathering/merging of promotions), brings a harsh (but welcome) earnestness to this portrayal of the business, Heels, which is the best representation and dramatization of wrestling to hit the screen yet.
#Extreme landings pro episode 1 challenge 6 hit the point professional
Stephen Amell's first big post-Arrow project is a love letter to one of the actor's favorite entertainment mediums: professional wrestling.
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